4.5; Vivarium unfolds a shuddering picture of the modern atomisation and sterilisation of human life, designed to be a replica of nature yet is entirely isolated from nature. Its conscious depiction of the unknown and unknowable avian creatures observing, mimicking and studying human behaviours as though they were but subjects, manages to defamiliarise the quotidian modern life and enable the audience to see and live it in terror. Projecting itself as amplifications of day-to-day life, Vivarium is a frightening, disturbing piece that gives you the shivers; as a film it showcases how to create deeply horrifying experiences for the audience using minimalistic locale and personae. #Mayhem2019

展博的古裝 一會覺得不錯 一會覺得不好看 我果然很矛盾 對比古裝 我還是比較喜歡現代裝 比較好看 跟楊蓉的話 感覺cp感不是很強 但勉強還可以吧 就是希望展博以後的影視路可以好一些

神父為了窮人到處奔波，收容喂養醫療他們，收容棄嬰。還發起貴婦人們做義工捐錢捐物

其實，每個故事更適合拍成幾分鐘的小短片，太啰嗦就顯得乏味了。

故事有些平淡，不過兩位女性的情緒表達細膩且克制。橫搖鏡頭全方位地展現了大場景下極度還原化的人物悲喜。親吻死胎的那幕好催淚——其實根本沒多大實質聯系，但就是清晰深刻地回想起某個夜晚，后來我向姬友描述，在那被夜色與林立樓宇的閃爍燈光籠罩的天橋上，看著來往不息的車輛與人群，我第一次感受到一種永生難忘的欣喜孤獨，感慨原來還有這般強烈到要隨時迸發的無言情緒，掐著你輕咽將溢的喉口，意識到活著還能這樣快樂。（佩佩超可愛，像個神棍小大人）