橫卷式的人群街道和一個(gè)個(gè)固定的“讓娜·迪爾曼”，勾勒出一幅流動(dòng)的、安定的眾生百態(tài)。男女歡快起舞時(shí)一處罕見的低機(jī)位仰拍。

屬于John Berger的四季，冬天就在桌邊話從前。Let's look at the facts before we do anything else，let's look for our focus and for our connection. There, here. 春天離開人群走進(jìn)萬物的時(shí)間里去探索。For the peasant, his animals, every year, are an unbroken, continued presence. The first existential dualism: animals were subjected and worshiped, bred and sacrificed. 夏天就著小酒聊講故事的藝術(shù)。One of th

好喜歡！啊，我也想拍這樣的

我還是去b站看韓版大逃脫吧 密室大逃脫跟原版真的沒得比

kate becket!